circlebas.blogg.se

Chandeliers at the metropolitan opera house
Chandeliers at the metropolitan opera house













They don’t have to be very expensive though- some plastic versions can still create that sensational drama. Like a sparkling necklace, a chandelier becomes that classic masterpiece for your room, home, or office and an incredible conversation starter. They are the best jewelry for any home’s décor. They make a strong statement when it comes to opulence and style. They are common with refined ceilings of antique castles & palaces that form part of affluent societies.

  • Exercise caution: Opera may be addictive.Chandeliers are usually associated with class & royal families.
  • Recommended Reading: On Next Avenue – How You Can Overcome Opera Phobia by Patricia Corrigan.
  • chandeliers at the metropolitan opera house

  • No matter how good your seat, consider bringing “opera glasses.” That’s what they’re for.
  • Dress during a weeknight performance ranged from business casual to very elegant.
  • Be sure to activate the screen with titles in your own language.
  • My first time at the Met was another reminder of the importance of expanding one’s world and taking small risks wherever you travel.

    chandeliers at the metropolitan opera house

    ”It’s all there - beautiful sets, great costumes, great music,” she said. Harrington once told an interviewer from Town and Country magazine. The obituary went on in very simple terms that resonated with my own experience:

    chandeliers at the metropolitan opera house

    In fact, the auditorium was dedicated in her name. Harrington, her 1998 obituary in the New York Times noted that her $30 million contribution to the Metropolitan Opera made her the institution’s largest individual donor.

    chandeliers at the metropolitan opera house

    Viking’s partnership with the Met builds upon its commitment to support cultural programming. The program noted that this particular production of Aida was made possible through a gift from Mrs. Walking through the opera house, you notice all the plaques acknowledging corporate and private donors. During the second intermission, we had the opportunity to go behind the scenes as the scenery was changedĪ review in the New York Times (which I had dutifully read in preparation for my first time at the Met) noted that one of the reasons this epic version of Aida was being tabled was because of its two-intermission format, which made it too long for some operagoers.















    Chandeliers at the metropolitan opera house